SartorialistWednesday, June 30, 2010
Monday, June 28, 2010
Friday, June 25, 2010
Wednesday, June 23, 2010
until I found a way to quiet it
Monday, June 21, 2010
Friday, June 18, 2010
that something
Inside us there is something that has no name, that something is what we are. Jose Saramago.
Thursday, June 17, 2010
the way to finish the book
There's a set of magical stuff that fiction can do for us. There's maybe thirteen things, of which who even knows which ones we can talk about. But one of them has to do with the sense of capturing what the world feels like to us, in the sort of way that I think that a reader can tell "Another sensibility like mine exists." David Foster Wallace via RazzooPhoto from Charles W. Cushman Photograph Collection
Wednesday, June 16, 2010
but the real life
But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It’s a slow process. It often feels hopeless, more like an affliction than an art form. Steve Almond from The New Yorker's One over 40 in The RumpusPhoto via per temeritas
Monday, June 14, 2010
Saturday, June 12, 2010
sometimes I imagine
Friday, June 11, 2010
Wednesday, June 9, 2010
Tuesday, June 8, 2010
Friday, June 4, 2010
immoderately perceptive
Monday, May 31, 2010
sometimes it is necessary to make a confrontation
Once I was beset by anxiety but I pushed the fear away by studying the sky, determining when the moon would come out and where the sun would appear in the morning. Louise BourgeoisPhoto Robert Mapplethorpe
Sunday, May 30, 2010
some days i have an obstinate fondness for all my poems
Some days I have an obstinate fondness for all my poems. Other days I dislike them intensely. Stanley Kunitz in The Paris ReviewPhoto Edward Weston 1979
Saturday, May 29, 2010
and today
at Clara's graduation from SJSU, 24 Japanese American students who were forcibly removed from California universities to be interned during World War II were honored with degrees as part of the California State University's Nisei Diploma Project.
Photo Dorothea Lange
Tuesday, May 25, 2010
here's the thing
I was about half in love with her by the time we sat down. That's the thing about girls. Every time they do something pretty... you fall half in love with them, and then you never know where the hell you are. JD SalingerPhoto via Nearness of Distance
Saturday, May 22, 2010
Friday, May 21, 2010
Thursday, May 20, 2010
there is a time
Tuesday, May 18, 2010
what is it you plan to do
Sunday, May 16, 2010
maps of the world in its becoming
Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery. The Road, Cormac McCarthySaturday, May 15, 2010
whatever it is you're seeking
Tuesday, May 11, 2010
not Roi, by the way, a blonde
Personism, a movement which I recently founded and which nobody knows about, interests me a great deal...It was founded by me after lunch with LeRoi Jones on August 27, 1959, a day in which I was in love with someone (not Roi, by the way, a blond). I went back to work and wrote a poem for this person. While I was writing it I was realizing that if I wanted to I could use the telephone instead of writing the poem, and so Personism was born. It's a very exciting movement which will undoubtedly have lots of adherents. It puts the poem squarely between the poet and the person, Lucky Pierre style, and the poem is correspondingly gratified. The poem is at last between two persons instead of two pages... "Personism," Frank O'Hara
Monday, May 10, 2010
Sunday, May 9, 2010
the writer's body
The internal pressure of a poem seems to take over the pulsation of the writer’s body. The beat of a 4 or 5 stress line, though variable, is synchronous with the heart-beat, and the line itself is often synchronous with the breath. ‘Shall I compare thee to a summer’s day?’ has 5 stresses and a rising emphasis on the second syllable of ‘compare’ which is synchronous with the usual in-breath and slightly longer (ratio 2 to 3) out-breath. I have no idea why (did the Italian inventors of the sonnet work this out?), but a sonnet contains 14 lines (breaths), each of 5 stresses which equals 70 beats a minute. The average adult human breathes 12 to 15 times a minute with a pulse of 68-72 a minute… A sonnet is a minute! And by the way, since early renaissance hour-glasses could not measure seconds, Galileo timed his experiments with falling objects by counting his own pulse beats. Paradoxically poems create time (although they predate clocks), while they can seem ‘out of time.’ Sean Haldane's blogPrime numbers arranged in a spiral, Dr. Yuen, University of Kentucky via Alexander Kruel
Thursday, May 6, 2010
Tuesday, May 4, 2010
so soundly slaps
...there’s no accounting for lust, my friend, and nothing that so soundly slaps together the nasty with the desirable. Amy Letter, Poem I Love in The RumpusSunday, May 2, 2010
she bears them unknowingly
Hélène Lagonelle’s body is heavy, innocent still, her skin’s as soft as that of certain fruits, you almost can’t grasp her, she’s almost illusory, it’s too much. She makes you want to kill her, she conjures up a marvelous dream of putting her to death with your own hands. Those flour-white shapes, she bears them unknowingly, and offers them for hands to knead, for lips to eat, without holding them back, without any knowledge of them and without any knowledge of their fabulous power. I’d like to eat Hélène Lagonelle’s breasts as he eats mine in the room in the Chinese town where I go every night to increase my knowledge of God. I’d like to devour and be devoured by those flour-white breasts of hers.I am worn out with desire for Hélène Lagonelle.
I am worn out with desire.
From The Lover, Marguerite Duras
The Little Mermaid Dissolved in Foam, 1911. Edmund Dulac via even*cleveland
Saturday, May 1, 2010
what I really wanted was every kind of life
It's so effortless to let my loneliness defeat me, make me mold myself to whatever would (in some way - but not wholly) relieve it. I must never forget it... I want sensuality and sensitivity, both... Let me never deny that... I want to err on the side of violence and excess, rather than to underfill my moments. Susan Sontag, Reborn: Journals and Notebooks, 1947-1963Saturday, April 24, 2010
descartes went to sweden and died of cold
The dilemma of foreignness comes down to one of liberty versus fraternity—the pleasures of freedom versus the pleasures of belonging. The homebody chooses the pleasures of belonging. The foreigner chooses the pleasures of freedom, and the pains that go with them. From "Being Foreign" The Economist via M. Dash. Thursday, April 22, 2010
Monday, April 19, 2010
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