Because the typewriter forces me to start all over again once I’m finished. With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can’t get a clean manuscript unless you start again from scratch. It’s an incredibly tedious process. You’ve finished your book, and now you have to spend several weeks engaged in the purely mechanical job of transcribing what you’ve already written. It’s bad for your neck, bad for your back, and even if you can type twenty or thirty pages a day, the finished pages pile up with excruciating slowness. That’s the moment when I always wish I’d switched to a computer, and yet every time I push myself through this final stage of a book, I wind up discovering how essential it is. Typing allows me to experience the book in a new way, to plunge into the flow of the narrative and feel how it functions as a whole. I call it “reading with my fingers,” and it’s amazing how many errors your fingers will find that your eyes never noticed. Repetitions, awkward constructions, choppy rhythms. It never fails. I think I’m finished with the book and then I begin to type it up and I realize there’s more work to be done. Paul Auster in the Paris ReviewCharles Sheeler: Pennsylvania Farmhouse , 1922
Vintage gelatin silver print via Ugly Earring






