the writer's body

The internal pressure of a poem seems to take over the pulsation of the writer’s body. The beat of a 4 or 5 stress line, though variable, is synchronous with the heart-beat, and the line itself is often synchronous with the breath. ‘Shall I compare thee to a summer’s day?’ has 5 stresses and a rising emphasis on the second syllable of ‘compare’ which is synchronous with the usual in-breath and slightly longer (ratio 2 to 3) out-breath. I have no idea why (did the Italian inventors of the sonnet work this out?), but a sonnet contains 14 lines (breaths), each of 5 stresses which equals 70 beats a minute. The average adult human breathes 12 to 15 times a minute with a pulse of 68-72 a minute… A sonnet is a minute! And by the way, since early renaissance hour-glasses could not measure seconds, Galileo timed his experiments with falling objects by counting his own pulse beats. Paradoxically poems create time (although they predate clocks), while they can seem ‘out of time.’ Sean Haldane's blog

Prime numbers arranged in a spiral, Dr. Yuen, University of Kentucky via Alexander Kruel