The gunman is useless.I know it.
He knows it.
The whole bank knows it.
"But any question of the moral inevitably raises—for the artist, at least—the question of the beautiful." John Banville in conversation with Ben Ehrenreich, The Believer Book of Writers Talking to Writers
Paul Auster: There's a great entry in Kafka's diaries in which he describes an imaginary writer in the process of giving a public reading. So-and-so is up there onstage, and people are getting restless and bored. "Just one more story," he says, "just one more..." People start getting up and leaving. The doors keep slamming shut, and he goes on begging, "just one more, one more," until everyone is gone and he's left alone at the podium, reading to an empty room.
At the end of the drama THE TRUTH—which has been overlooked, disregarded, scorned, and denied—prevails. And that is how we know the Drama is done.
Promise me you'll always remember: You're braver than you believe, and stronger than you seem, and smarter than you think.
"Ninety percent of who you are is invisible." E.L. Konigsburg, The Mysterious Edge of the Heroic World
“. . . people will sometimes say, "Why don't you write more politics?" And I have to explain to them that writing the lives of women is politics" Grace Paley
I don't care if it's sunny outside, the only thing to do right now is listen to Mavis Staples on Wait Wait Don't Tell Me. It may be the best 17 minutes and 27 seconds I ever spent.
Leonard Cohen in concert tomorrow and our own Conspiracy of Beards playing a pre-show show at the Paramount. More info here.
Happy is the novelist who manages to preserve an actual love letter that he received when he was young within a work of fiction, embedded in it like a clean bullet in flabby flesh and quite secure there, among spurious lives.
Nick Cave's astounding exhibit at Yerba Buena reminded me of Phyllis Galembo's West African photographs. I saw them at Skidmore's Tang a few years ago. More of her work here.
From today's NYT: "But where the typical...American family seems unified but is secretly divided, the group on “Big Love” seems divided but is secretly joined." And "The book [Under the Banner of Heaven] includes a quotation from DeLoy Bateman, who gave up polygamy and then surrendered religious faith entirely. He told Krakauer he doesn’t regret abandoning it. “Some things in life are more important than being happy,” he says, expressing the unmistakable tension at the heart of “Big Love.” "Like being free to think for yourself.""
Another must see: Yerba Buena Center for the Arts presents a large scale exhibit of Nick Cave's soundsuits. Through July. Tremendous.
"I think you should learn, of course, and some days you must learn a great deal. But you should also have days when you allow what is already in you to swell up inside of you until it touches everything."
From Either the Drapes Go or I Do:You walk in here and tell them you're here and they tell you there are ghosts and if there's a wait you take a walk through the woods where there are mushrooms and violets and fallen trees. To get here you drive along the Columbia river and pass the waterfalls and go over the Bridge of Gods and stop at an antique store where you buy a gold ring for $1 and pick up old pens and glasses. When they say they have tubs available you walk into the water room and get naked in the sulphuric steam and choose a tub length and if you're small like me you choose a short tub. Before you step in they tell you to test the water as it's only hot water and you tentatively ease yourself into the porcelain basin and when you are finally all in you start to cook exquisite with your hair spreading on top like an anemone and you try to sleep but you can't because you are too warm so you look over at Elanor whose body is like an English stem and it feels like being in a salon bath house in the Wild West during Manifest Destiny and every few minutes you take cold swigs of water and pour them over your face. When you stand up on unsure feet they take you to a cot and wrap you tightly in sheets and wool blankets and the only exposed part is your nose and mouth so the only thing to do is breath while cocooned, sweating and sweating, a wet and dark chrysalis. There really isn't anything to think about. There really isn't anything to do but sweat and sleep. When you emerge it is like a peony, unraveling slowly and utterly pink and you need to drink water, a lot of water, and you need to eat fruit, a lot of fruit, but we ate macaroons and drank espresso instead.Posted by patricia.no at 3/28/2008
Some small intimacies: ici, Discotheque Confusion, emmas designblogg, Now Voyager, the ugly earring, Simple Lovely, blueberry pancakes and fresh orange juice at ungtblod, Jessica's reading list, and the beautiful place where hoping for happy accidents spends her days.
Tonight, a birthday party combining two of my favorite things: RE/Search Publications and William Burroughs.
I've been reading Another Bullshit Night in Suck City by Nick Flynn and this remembrance of John Updike by Lucy Corin on The Rumpus, which pointed me to this For This I Believe by John Updike. Oh, and this is wonderful: "I made tea," by Joe Davis (via this is sippey.typepad.com).
Three years before my mother died, I decided not to speak to her again. And why? During a conversation over the telephone, she had once again let me know that my accomplishments—becoming a responsible and independent woman—did not amount to very much, that the life I lived was nothing more than a silly show, that she truly wished me dead. I didn’t disagree. I didn’t tell her that it would be just about the best thing in the world not to hear this from her.
And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head.

There's plenty to wear in my imaginary closet. Of course, if I really was buying clothes, La Garconne has far and away the best customer service.
minirobot was tagged and I love her post. Made me rethink this tagging thing.
From Maud NewtonNow, thirty years later, [Jonathan] Baumbach’s most recent publisher, like his last, has gone under, and in this case the enterprise went belly-up just months after his latest book, You, appeared. My friend Lauren Cerand was so passionate about You, she took Baumbach on as a publicity client despite the difficulties of reviving a book after the initial media window has closed. She and the author have started a site dedicated to the project.
Below Baumbach remembers the circumstances that led him and other writers to create Fiction Collective, and he compares the climate of 1974 with the dire situation publishing finds itself in today.
I left for Japan on October 25, 1984, unsuspecting that this date would mark the beginning of a 92 day countdown to the end of a love affair. Nothing extraordinary -- but to me, at the the time, the unhappiest moment of my life, and one for which I blamed that trip itself. I got back to France on January 28, 1985. From that moment, whenever people asked me how it went, I chose to skip the Far East bit and tell them about my suffering instead. In return I started asking both friend and chance encounters: "When did you suffer most?" -- I decided to continue such exchanges until I had got over my pain by comparing it with other people's, or had worn out my own story through sheer repetition.
Friends with Money (above), Lovely & Amazing, and Walking and Talking. Written and directed by Nicole Holofcener.
Mom and I went to Heath Ceramics, Afghanistan, and saw the Soul Children of Chicago. There were temari balls and cookies with D's mom. And chapino with Jeff and Silke, Christmas dinner with Kathleen, Slumdog Millionaire with Clara, elephant seals with Ally and Masin...
I haven't been here too much lately, I know. When I have a moment though, I've been daydreaming over at Scout Holiday. I love her Little Gift Guide and her Holiday Wish List.
My beau and I finally rented this last night after THIS MORNING FOG's post. I cannot shake the mood of it.
SFMOMA offers a spellbinding retrospective of Martin Puryear. Through January 25.
"...But Miss Golightly a fragile eyeful even though attired like a tomboy in slacks and leather jacket appeared relatively unconcerned..." Breakfast at Tiffany's, Truman Capote
If I when my wife is sleeping
“People are strange, but more than that, they're good. They're good first, then strange.”
She seemed to be at least twice as alive as most of us—to know everything, to do everything, to be inexhaustibly engaged. Her arresting appearance was familiar even to many nonreaders from the photographs that recorded it over several decades and registered the glamour and magnetism—the sheer size—of her personality, and her celebrity was all the more potent and irreversible because the place she occupied was so far outside the usual radius of the spotlight.
At other pretty things and duskin; dreaming about this dress and listening to This Mortal Coil.
My Love,
The Lover, by Marguerite Duras is less than 30,000 words. The Postman Always Rings Twice, by Richard Cain, about 35,000. Fahrenheit 451 about 45,000; and The Great Gatsby, maybe, 50,000.
"One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your skin starts hanging off your arms and stuff, and then you have to think, well that’s really beautiful too. It just isn’t beautiful in a way that I knew it was beautiful before" Kiki Smith.
I don't think Manu Chao's Radiolina or the video for Me Llamen Calle won in last night Latin Grammy's, but they should have. Me Llamen Calle, Manu Chao's tribute to s-x workers, is well worth a listen.
I never can quite say as much as I know. I look at other parrots and I wonder if it's the same for them, if somebody is trapped in each of them paying some kind of price for living their life in a certain way. For instance, "Hello," I say, and I'm sitting on a perch in a pet store in Houston and what I'm really thinking is Holy shit. It's you. And what's happened is I'm looking at my wife.
These honeycomb necklaces from Black Sheep & Prodigal Sons, thin black t-shirts from Acne and American Vintage, anything written by J.M. Coetzee, Kill City jeans, David Byrne, Kern River Valley, Sister Mary Corita, public radio, and Kiki Smith.
I'm in Palm Springs for the week, a place I don't know all that well. Reading Th1rteen R3asons Why, Story of A Girl, and Living Dead Girl (all YA). Lots of buzz about Living Dead Girl (especially among young adult librarians), most of it positive. Also reading the W with Angelina Jolie on the cover and an amazing spread by Roni Horn inside, Paul Pincus's blog, and the SFMOMA's Nov/Dec newsletter.
Bloggers have recipes. My friend Jenny has a recipe she promises will make kale taste good. Maybe. I have a recipe too. I got it from a blog (Maud, of course). It's writer Kate Christensen's cure for the common cold. But I find that it'll cure almost anything. The following is excerpted from Maud:Day two home from work with a killer cold, and my only consolation is novelist Kate Christensen’s hot toddy. Since she passed it along last fall, the drink has eclipsed spicy tomato soup as the Maud household’s preferred remedy. It proves — as we always knew deep in our hearts — that Bourbon cures everything.
Add boiling water to (in the biggest cup in the house; this is no time to fuck around with anything dainty) the juice of 1 lemon, a big wad of honey, a slug of good whiskey [Ed. Note: I’ve been using Maker’s Mark], and as much cayenne pepper as you can tolerate. If it’s morning, add a tea bag.
Photo Nigel Shafran via Horse Hunting
This Stella McCartney bodysuit via the lovely loveology. My goddaughter has a whole wardrobe of bodysuits she layers under everything. So cool.
From Tokion, a fantastic interview with Sophie Calle by artist Jill Magid:

The photographers of Magnum Photos were given exclusive behind-the-scenes access to the filming of The Misfits. Led by Magnum co-founder Henri Cartier-Bresson, the photographers arrived on the set in pairs and alternated every two weeks. Nearly 100 photos available on PBS.
"I always say - a prejudice on my part, I'm sure - you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves. This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes." Haruki Murakami. Appearing at UC Berkely this week.
A Continuous Lean offers up a link for your almost forgotten playlists. My favorite for dancing around the house? This, from someone named Kalpana:
Somehow I missed Rick Moody's choices on Ubuweb last month. Worth a listen, especially William Carlos William's reading Danse Russe ("I am lonely, lonely/I was born to be lonely/I am best so!").
"To write is to write is to write is to write is to write is to write is to write is to write." Gertrude Stein.
I like about Cali Dewitt: He and Jenna in their bathrobes; how they always look like they're having fun and how their friends all have the best terrible haircuts; this t-shirt; how I kinda want, but am strangely reticent, to buy the blind bargain bag.
Home, by Marilynne Robinson. Excerpts from an interview with The Paris Review:
Trudy White, who did the illustrations in The Book Thief by Markus Zusak, runs writing and visual art workshops for children and adults.
"I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world." Kiki Smith.
The Chicken Mask was sorrowful, Sis. The Chicken Mask was supposed to hustle business. It was supposed to invite the customer to gorge him or herself within our establishment. It was supposed to be endearing and funny. It was supposed to be an accurate representation of the featured item on our menu. But, Sis, in a practical setting, in test markets -- like right out in front of the restaurant -- the Chicken Mask had a plaintive aspect, a blue quality...
"The pens are essentially props-they remind me that I’ve got to get back to writing, which means turning on the computer, and that’s a whole new world of distractions." David Coggins. Photo and post from A Continuous Lean.
"Fiction's about what it is to be a human being." David Foster Wallace. AM Homes: "...it [Wallace's death] reminds us all of how fragile we are, and how close at hand the darkness is."
My friend Kenny came to visit last week. Check out his documentary about Bolivian women wrestlers here.
The Lee Miller exhibit at SFMOMA is only up for a few more days. Photo of Lee Miller and Picasso from Art Tattler.
I could spend all day on the Criterion site. Here are Kate and Laura Mulleavy's Top 10 Criterion picks. And Jane Campion's. Or howabout Jonathon Lethem's?
Tilly has divided the yard in half. Carleton is not allowed in her half, unless she gives permission.
This photo by Ed van der Elsken via Horse Hunting. All of Horse Hunting, and speaking of hunting, hunter <> gather, too. Downloading Now Voyager's Sunday Soul Party.
let the artichoke flower. But it's so beautiful. And SF has been so hot this summer, that our (I say our, but my beau did all the work) tomatoes are already ripe. Ripe in August? Very rare.
"His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead." From The Dead, James Joyce.
"Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing." Sylvia Plath
I used to think that the moment for Bernal Heights was when the Karate school became a Yoga studio, although it certainly happened before that. But last month, when Cortland Studios, the world's smallest film studio; where dozens of terrible independent films were made, and at least one good one, where aspiring grips sewed their first sandbag and carried their first c-stand, became an eco-boutique carrying bamboo lingerie, I thought—perhaps the bernalization is complete.
"You've got to get a cat!" Briand jokes. "You get 10, 12 years into a relationship, and you need something else to talk about." From an interview with Susien Chong and Nic Briand of Lover the Label in Nylon, August 2008.
"In art and dream may you proceed with abandon. In life may you proceed with balance and stealth." Patti Smith
I Love Cat Party found a rare book of childhood photos of Kate Bush, taken by John Carder Bush. More here.
Nightwood, reincarnated furniture, textile and home via A Cup of Jo; Nightwood by Djuna Barnes: "When she fell in love it was with a perfect fury of accumulated dishonesty; she became instantly a dealer in second-hand and therefore incalculable emotions ... she appropriated the most passionate love that she knew, Nora's for Robin. She was a squatter by instinct." Fitting.
Alexander Wang in WWD via Sleep Deprivation and Stories of my Bullshit Youth.
Great reading Sunday night to memorialize Oakley Hall. The lovely Sands Hall sang St. James Infirmary Blues. Beautiful.
My papa and Lidia are in B.A. I could be drinking coffee with them, and Perli and Chino, right now. Nate Williams has spent a bunch of time in Argentina, and from the looks of it, his family is as goofy as mine.
I'm old now, but when I was young you could talk me into anything. I had an open mind. So when I saw the ad saying some "professional writers" needed an "adventurous girl" to "interview for fictional purposes," I was intrigued, especially when the ad went on to say that by simply answering questions, I could "make an important contribution to American Literature." I had always wanted to make an important contribution to something, so I threw on my coat, grabbed my purse, and went straight to the address listed in the paper.
Your Cover is Blown said some terribly kind things about RQD. I didn't know what to say, now I do: Smosch, now voyager., Berlin guide, STNF, le vestiaire de clé, unruly-things, and simplyolive.
My friend Ally is reading Middlesex by Jeffrey Eugenides. Here are Eugenides and Jonathan Safran Foer in BOMB Magazine,JSF: As long as we’re talking about contemporary writing… Who’s your favorite contemporary writer?
JE : Right now my favorite writer is A. A. Milne. Let me give you a sample of why:
Rabbit leant over further than ever, looking for his [stick], and Roo wriggled up and down, calling out, “Come on, stick! Stick, stick stick!” and Piglet got very excited because his was the only one which had been seen, and that meant that he was winning.
“It’s coming!” said Pooh.
“Are you sure it’s mine?” squeaked Piglet excitedly.
“Yes, because it’s grey. A big grey one. Here it comes! A very . . . big . . . grey . . . Oh, no, it isn’t. It’s Eeyore.”
And out Eeyore floated.
“Eeyore!” cried everybody.
Looking very calm, very dignified, with his legs in the air, came Eeyore from beneath the bridge.
“It’s Eeyore!” cried Roo, terribly excited.
“Is that so?” said Eeyore, getting caught up by a little eddy, and turning slowly round three times. “I wondered.”