Rachel Comey Brogues at Creatures of Comfort via WikstenMade
Wednesday, March 31, 2010
Sunday, March 28, 2010
an apache dance
CHARACTERS
ROBERTA: 31 years old. Blue jeans, a cheap dress-up blouse that's gotten ratty. She's physically depleted, with nervous bright eyes.
DANNY: 29 years old. Chinos and a pullover shirt. He's dark and powerful. He finds it difficult to meet Roberta's gaze.
About both characters: They are violent and battered, inarticulate and yearning to speak, dangerous and vulnerable.
A DEFINITION
An Apache Dance is a violent dance for two people, originated by the Parisian apaches. Parisian apaches are gangsters or ruffians.
STYLE
This play is emotionally real, but it does not take place in a realistic world. Only those scenic elements necessary to the action should be on stage. Only those areas that are played in should be lit.
ROBERTA: 31 years old. Blue jeans, a cheap dress-up blouse that's gotten ratty. She's physically depleted, with nervous bright eyes.
DANNY: 29 years old. Chinos and a pullover shirt. He's dark and powerful. He finds it difficult to meet Roberta's gaze.
About both characters: They are violent and battered, inarticulate and yearning to speak, dangerous and vulnerable.
A DEFINITION
An Apache Dance is a violent dance for two people, originated by the Parisian apaches. Parisian apaches are gangsters or ruffians.
STYLE
This play is emotionally real, but it does not take place in a realistic world. Only those scenic elements necessary to the action should be on stage. Only those areas that are played in should be lit.
Saturday, March 27, 2010
I cast toward her and drift back
I know a guy who knows a guy who caught a couple off the point. Way off the point. So far off he couldn't see the point anymore. He caught them using what works way out—the only thing that's ever worked that far out, according to the guy I know who knows the guy who knows.
From "Fishing Report" by Ben Jahn in Panorama.
Tuesday, March 23, 2010
sometimes
Sunday, March 21, 2010
perfect sunday morning
Writing and procrastinating by listening to Frank O'Hara reading "Having a Coke with You." Over and over. And thinking if I were to excerpt it here, I would choose this line
partly because of my love for you, partly because of your love for yoghurt
or
I would rather look at you than all the portraits in the world
or
and the fact that you move so beautifully more or less takes care of Futurism
or maybe
it seems they were all cheated of some marvellous experience which is not going to go wasted on me
Wednesday, March 17, 2010
that is just what it isn't
You imagine the carefully pruned, shaped thing that is presented to you is truth. That is just what it isn't. The truth is improbable, the truth is fantastic; it's in what you think is a distorting mirror that you see the truth. Jean Rhys
Painting by Mark Rothko
Monday, March 15, 2010
Sunday, March 14, 2010
you won't be awake
Thursday, March 11, 2010
what it is
Fiction's about what it is to be a human being.
David Foster Wallace
DFW's copy of DeLillo's Ratner's Star via this is sippey.com.
Wednesday, March 10, 2010
I was sentimental about many things
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, “I’m going to pee…”; hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking, talking; the arguments; thinking of suicide; eating together and feeling good; the jokes, the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore, hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce, but always carrying on, seeing it through…Charles Bukowski via Melancholia.
Painting, Alyson Fox
Tuesday, March 9, 2010
middlesex
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. - Jeffrey Eugenides, Middlesex
Monday, March 8, 2010
the violence of my imagination
I haven't changed much, over the years. I use less adjectives, now, and have a kinder heart, perhaps. Angela Carter
Image from mischief & manic via STNF
Sunday, March 7, 2010
Saturday, March 6, 2010
Wednesday, March 3, 2010
they care not
"When I do come into contact with children, I find them a disconcertingly tough audience. They care not for blurb or kudos, literary allusion or postmodern antics. Instead, they study every inch of a thing and are bluntly honest about it." Shaun Tan
Photo from the astounding Wendy Ewald
Tuesday, March 2, 2010
a little away from you
Voice comes to you through a spell, a trance. The best voices are not you...they're a little away from you. Barry Hannah
Manuscript page from The Paris Review
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